The Choreography of Lighting

The splash of light — or its absence — can move people through a space, tell a story and inspire emotions.


The dance between light and design is part manipulation, part road map. Guiding people through environments, the lighting within a space helps people know where to pause or move forward, spotlighting what’s important and meaningful, bringing a facility’s vision to life.

There is no music, but the choreography is there, creating movement and emotion.

“Lighting choreography refers to the way we organize the sequence of visual events you experience as you walk through a space,” says LPA Director of Lighting Debra Fox.

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A durable interactive lighting feature welcomes students at the door, while soft perimeter slots and baffled linears provide multilayered vertical illumination at the reception area.

When lighting designers are brought into the process early — not as an afterthought — they can work within the budget to integrate lighting strategies and fixture types that elevate the overall vision. They can design to the client’s needs and ask the right questions. How do we want people to move through the space? What do we want people to see first? Are there areas or objects we want to purposely obscure?

Careful lighting choices shape the perception of a space, drawing attention to key details while softening less prominent areas. With intentional design, lighting becomes more than illumination — it transforms the way a space feels, creating a subtle emotional impact.

“We help our clients maximize the impact of their lighting budget — in terms of both dollars and wattage — by focusing on the essential elements that we want people to experience,” Fox says.

We help our clients maximize the impact of their lighting budget — in terms of both dollars and wattage — by focusing on the essential elements that we want people to experience.”

Debra Fox, LPA Director of Lighting

Phototropism — the powerful physiological response that causes all living organisms to orient toward light — guides the process. This natural reaction to light can be used to influence people, to attract their attention or evoke an emotional response. “Lighting can make an environment welcoming and collaborative or intimate and personal; it can pull you in and then draw you around the corner to find what’s next,” says LPA lighting designer Jen Ozai.

The design process can take unexpected detours. A room that meets the horizontal foot-candle requirement may still seem dark until a wall is illuminated. A hint of darkness or a burst of brightness can completely change the way an environment is experienced.

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Decorative light fixtures cluster above the seating grouping, creating an intimate setting.

There are moments on many projects when lighting designers sit with one or two members of the design team and sketch out lighting concepts. In that back and forth, moments are discovered, ideas are hatched. “In a nonintegrated firm, you would never have that kind of experience,” says LPA lighting designer Becky Ceballos.

The return-on-investment can be direct — fewer fixtures needed, lower operational costs. Perhaps vertical illumination can double as ambient lighting in a space. Fewer fixtures might be necessary to meet the client’s goals. “If we’re involved early in the project, we can pick and choose the moments that require our lighting energy,” Ceballos says.

Often, the most powerful results are more ethereal — harder to measure, yet undeniably meaningful. It’s the dance between light and design that captivates, transforms and elevates. A once-forgotten space comes alive. A room embodies a brand’s essence. People don’t just occupy a space — they feel it.

EDWARDS LIFESCIENCES Building E

Lighting was more than just a feature in the new facility for the leader in innovative structural heart technologies — it was part of the design philosophy. From the earliest sketches, light shaped how people would move, interact and feel within the space. Every feature was chosen with intention, not only to highlight architectural features but to cultivate collaboration and well-being.

The result is a dynamic interplay of light and shadow — recessed fixtures tucked into ceilings, soft perimeter glows that carve out zones without the need for walls, vertical accents that guide people up an open staircase that anchors the building’s core. These layers of illumination support the client’s vision and define the user experience.

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Concealed tread lighting and integrated accents add a dynamic, sparkly element to the feature stair, seamlessly blending with the green wall.
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Recessed fixtures extend from the interior and exterior of the mass timber ceiling, helping to reinforce indoor-outdoor connections; wall-mounted continuous linears enhance vertical illumination along acoustically paneled walls.
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TOYO / NITTO HEADQUARTERS

The new headquarters for Nitto and Toyo Tires was about identity, speed and precision. The two elite tire manufacturers share a home, but each brand needed to express its unique character. Nitto anchors the ground floor, with Toyo occupying the second floor, connected by an open staircase with a two-story illuminated graphic in the reception area linking the brands and setting the tone.

Nitto’s light fixtures stand out in black against a white backdrop; Toyo’s complement the white finishes. Indirect illumination lifts the corridor ceiling and creates a “road map” to key destinations. Vertical illumination draws the user through the spaces and provides task lighting, helping to lower wattage consumption. Low-cost, standardized fixtures in patterned configurations in the open ceiling evoke images of a striped highway in the unified space.

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Layers of light create scale within this two-story daylit lobby, accenting the mural and wood wall. The surface- mounted circle fixtures add dimension to the ceiling while echoing the branding.

We help our clients maximize the impact of their lighting budget — in terms of both dollars and wattage — by focusing on the essential elements that we want people to experience.”

Debra Fox, LPA Director of Lighting

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The executive conference room is designed with specialized optical lights that blend with the ceiling.

WASHINGTON ELEMENTARY SCHOOL

The Washington Elementary School design emphasizes play, interaction and connection to the school’s immediate community and diverse culture. From the public-facing street, community members and students are greeted by carefully coordinated color-changing lettering, designed to rotate and move. These illuminated letters playfully direct students toward the main campus artery, where L-shaped poles complement and frame the rectilinear architecture, and lead the eye to a vertically illuminated backdrop within the administrative entrance.

An adjacent mural illuminated from grade celebrates Santa Ana’s rich artistic culture and draws visitors to the MPR entry. Recessed linears bridge interior and exterior lighting motifs on an outdoor reading room that extends between the MPR and library. By highlighting the murals and enhancing the indoor-outdoor connection, lighting strategically welcomes and guides the community into the cultural heart of the campus.

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The soft glow of concealed toe-kick illumination uplifts and centers the outdoor stage, while event poles provide both horizontal and vertical illumination for nighttime performances.

Lighting can make an environment welcoming and collaborative or intimate and personal; it can pull you in and then draw you around the corner to find what’s next.”

Jen Ozai, LPA Lighting Designer

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Color-changing letters on rotating platforms playfully direct students down the main artery of campus, while L-shaped poles, aligned with palms, complement the rectilinear architecture beyond.